Of all the new wonders of
the modern world, I find that some are a step too far or at least ones that I
have as yet not seen a reason to take. The internet does have a lot of uses,
and I use it as much as anybody both in business and in the pursuit of my
sport, hobbies and pastimes. Email is another necessary evil for that I cannot
manage without within our antiques transport business and privately. Then the
dreaded Facebook, that also has good points and some extremely bad ones. It is
the easiest way by far for you keep in touch with friends across the globe and
has been the death of the long letters I used to write to friends who have moved
to another country or continent; instead of writing 6-8 pages of news of births,
deaths and marriages, one can now flip a few words or a photo openly, or in a
private message and exchanges are made or can be made in a matter of moments.
I have held a firm
resistance to joining Twitter or Instagram just because it seems never ending
and yet another way to waste precious time. Both my husband and I have given in
most recently, to WhatsApp, having been pressured by several friends and so far
I don’t have any complaints about it.
And The Winner Is……The fast
growing trend of the live streaming to cinemas from major theatre and opera
houses. There have been two in the last week or so that I have galloped through
the internet to get tickets for. The first being Turandot from Sydney
last Thursday and last night a wonderful evening ‘Live’ from the Olivier
Theatre in the National Theatre, London .
For just a few pounds more than a regular cinema ticket, we sat and watched as
the Olivier filled with theatregoers at the same time as our little local cinema
filled up. During the pre performance time, there was an interesting interview
with director Rufus Norris about this production before the complete
performance of The Threepenny Opera that went out live to 2000 cinemas across
the world…. 2000!
This production starred Rory
Kinnear as ‘Mack the Knife’ and he was superb in the part and seasoned actor
that he is appeared not to slightest bit worried about performing to such a
vast audience. Neither Stephen nor I had ever been to the show before which in
itself is unbelievable since we are such huge musical and opera fans, that
alone made the evening all the more enjoyable. We even have to admit to
laughing at the sheer ‘front’ of the directorial theatricality of the many
murders within the opera and although the cast do actually speak some of the
story, it is still basically still an opera.
The twenty minute interval
was used for more time with the Rufus Norris and also to talk about what other
wonder treats are in store for people for cannot go trotting up to London every
other week for these special treats; the time and costs involved cuts those
possibilities well down since a night out in town costs and arm and a leg when
you add up the train fare, West End tickets, dinner and a hotel. You say
goodbye to a lot of money going out to a show.
Upcoming live broadcasts
over this winter from the West End include, No Man’s Land with Ian Mckellen and
Patrick Stewart, then Amadeus, Saint Joan with Gemma Arterton and Ibsen’s Hedda
Gabler.
Then there are the repeats;
which they call Encore’s, where something previously broadcast live is shown
again as a recording and our own little cinema has Michael Bublé on tour and
the Opera Norma from the Royal Opera House coming very soon. The one Stephen
and I are looking forward to is Miss Saigon on October 16th. Unlike
the new experience of The Threepenny Opera, we have seen Miss Saigon in London at least three
times and would not miss this tenth anniversary performance for only £13 for
anything.
Praise be to the modern HD world.
No comments:
Post a Comment